https://blue-owl.lnx.warwick.ac.uk/files/original/37b1ea3b6042d5d14a9eedd318862a6d.jpg 98efe937de2ff14c44f06ed5b2eb7a4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archives Interactive Resource A resource requiring interaction from the user to be understood, executed, or experienced. Examples include forms on Web pages, applets, multimedia learning objects, chat services, or virtual reality environments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Filming Revolution Subject The topic of the resource archive Description An account of the resource Filming Revolution is a collection of interviews, film clips and thematic texts on the subject of documentary and independent filmmaking in Egypt after the 2011 Revolution. It includes interviews with thirty filmmakers, artists, activists, and archivists, who share their thoughts and experiences of filmmaking during this period. The creator, Alisa Lebow, constructs a collaborative project, joining her interviewees in conversation to investigate questions about the evolving forms of political filmmaking. The interviews can be explored via their connections to each other, across parameters such as themes, projects, or people. Each constellation of material allows users to engage in a curated conversation that creates a dialogue between filmmakers operating in the same space but who may not necessarily know of each other's work or ideas. Topics highlighted range from the role of activism in filming to the limits of representation or the impact of practical considerations of production and distribution. The innovative constellatory design of Filming Revolution makes an aesthetic commentary about the experience of the revolution, its fragmented development, and its shifting meanings, thereby advancing arguments about political documentary via both content and form, simultaneously re-imagining formats of political documentary and scholarly communication. Creator An entity primarily responsible for making the resource Alisa Lebow Source A related resource from which the described resource is derived https://www.filmingrevolution.org Publisher An entity responsible for making the resource available Stanford University Press Date A point or period of time associated with an event in the lifecycle of the resource 26/04/2019 Rights Information about rights held in and over the resource Stanford University Press Relation A related resource <a href="https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/bytes/filming-revolution-crowd-documenting">A review of Filming Revolution.</a> Language A language of the resource English Date Created Date of creation of the resource. 26/04/2019 25 January 2011 revolution activists aesthetics archives archivists art artists creativity documentary film Egypt revolution film makers filmmakers narrating narratives representation Tahrir Square women film makers women filmmakers